October 6, 2015
The University determined that Julie’s feminist view -that gender is a social construct which is harmful to women- makes her an “unsafe” person whose speech “could harm” transgender students. The other speaker scheduled for the event, “men’s rights activist” Milo Yiannopoulos, author of, among other things “Transgenderism is a psychiatric disorder: Its sufferers need therapy, not surgery” was given the go-ahead to appear.When asked to explain the mind-boggling hypocrisy of their decision to censor, Student Union Women’s Officer Jess Lishak clarified that it was Julie Bindel’s status as a woman and a feminist that made her views dangerous. You can read her statement here:
“Our safe space policy clearly states that we will not allow visiting speakers or members to “say things that are likely to incite hatred against any individual or group based on age, disability, marital or maternity/paternity status, race, religious beliefs, sexual orientation or sexual activity, gender identity, trans status, socio-economic status, or ideology or culture”, Jess Lishak points out in her statement. The policy provides no provision against sex-based discrimination, as sex is not a protected category. Lishak stated that the decision to ban Julie Bindel and allow Milo Yiannopoulos to speak was unanimous among the Executive officers:
Trans Vandals Deface the Gay “Stonewall Monument” with Insane Blackface to protest a Movie they Have Not Seen
August 19, 2015
A gaggle of deranged caucasian Tumblerites (or as I like to call them, Brooklyn Genderqueers) has painted ghastly blackface on statues commemorating the historic gay riot at the Stonewall Inn, turning the figures into the most offensive lawn jockeys* imaginable. They were protesting a film that has not yet been released, and that they have not seen: the upcoming Hollywood drama “Stonewall”. Based on movie trailers, Transgender activists complain that they anticipate the film’s depiction of events that occurred at the predominantly gay white male establishment might be too gay and too white.
The 1969 Stonewall Riot occurred in New York’s Greenwich Village when gay patrons spontaneously refused to submit to a routine police raid of the venue. Lesbian and Gay public establishments were illegal back then and those caught in them were arrested, prosecuted for “indecency”, and their names published in the newspaper, “outing” them to employers as criminal sexual degenerates. Police routinely battered the gay men and raped the gay women.
That night, June 28, two years after the hippie “Summer of Love”, one year after 150 feminists set siege to the Miss America pageant, setting off stink-bombs in the hall and throwing curlers, tweezers, stockings and high-heeled shoes (and yes, bras) into a trash can as they crowned a live sheep Miss America, at the height of the Black Power movement, and the Vietnam War protests, something changed. Gay people refused to get into the paddy wagons*. Not one or two but all of them. They fought police and the whole neighborhood came out to join them. Riot!!!
The second night a spontaneous street celebration and makeshift parade took place. Reports state that it was faaabulous. Gay Pride! It was the birth of Gay Pride and we commemorate this uprising of fierce, fierce, pride in every city, town and hamlet worth its sequined thong every year, in June or July, whenever we get around to it.
The so-called “Stonewall Monument” is a work of art by pop artist George Segal named ‘Gay Liberation’. It was commissioned in 1979 by arts patron Peter Putnam and consists of four life-sized bronze figures, not sculpted, but cast in plaster bandages. They are painted white to replicate the plaster Putnam used for casting. The people used to make the casts were each a real gay male and gay female couple who were friends of the artist. The two couples are touching each other intimately (but not sexually). All four of the models are believed to have been white. One of the gay men modeled in the piece shared his reflections in a 2009 article here: http://www.glreview.org/article/article-526/ .
Segal was not the first choice for the commission but he was the first that accepted the (then socially unpopular) task. He had just finished his piece commemorating the Kent State shootings. The instructions for the work were that the piece “had to be loving and caring, and show the affection that is the hallmark of gay people … and it had to have equal representation of men and women.” The work was considered very controversial and “explicit” at the time and was installed in Greenwich Village in 1992 after the initial 1984 installation at Stanford University was vandalized over 40 times by anti-gay individuals, including battery by hammer. Since its installation in small Christopher Park across the street from the Stonewall Inn the work has come to be known as the “Stonewall Monument”.
The latest vandalization is unique in that the gay men were painted in a way that portrays “blackface” with giant red lips, and afro and brown wigs. Bras were also adhered to the gay men’s chests. No word on why beards and penises where not affixed to the lesbian figures.
The transgender activists perpetrating the Stonewall Blackface Incident were apparently inspired by the words of “Miss Major”, a seventy three year old male who amazingly claims to have participated in both the Stonewall Riots and the riots at the Attica maximum security penitentiary. “Miss Major” made the following comment about the “Stonewall Monument” as posted on Autostraddle last week:
“Two fags, two lesbians and some random person looking like they were walking into the Park are the statues that are there. Someone should smash those motherfuckers up and turn them into the white dust that they are and put a couple of statues of people of color and at least make one of them an overly obnoxious transgender woman 6’5″, three inch heels, blond/red hair, lashes, beads, feathers and put one of those fine white boys next to her, now that I can handle! [laughter] And let’s have two lesbians at the end with luggage because they’re moving in together! [laughter]” [sic]
In comments at Autostraddle one of the white female trans vandals states:
“Unfortunately, we don’t have the skills or funds to cast sculptures of our own. We also couldn’t paint the entire statues brown because Christopher Park is a highly busy and visible area and we were worried about being arrested. It sucks that some people are correlating it to Black face (and we see why), but that’s decontextualizing what we did. Anyway, we hope that this gets the ball rolling and that we’ll soon see sculptures representing the people of color who led the riots.”
This event nicely caps off a long summer of transgender protests against Gay Pride events for being too gay. From Glasgow’s Pride event, which banned drag queens as offensive to heterosexual male transgenders, to the heckler disrupting president Obama’s White House Pride reception, to the forced signing of a gender loyalty pledge required of participants at Vancouver Pride, to the trans activists that sat down in the street and forced Boston’s Pride parade to come to a screeching halt, to Auckland’s Pride where they did the same thing and resisted arrest. San Diego Pride tried to thwart the inevitable by naming “the entire transgender community” as their Grand Marshal, but was still marred by “die-ins” by trans activists who wanted to draw attention to transgender despair and the fact that 14 out of the 12,000 people murdered annually in the US. are transgender victims.
Is Transgender the Last Wave of Anti-Gay Activism?
Dr. Drew Show: Violent Trans Activist Zoey Tur grabs panelist by the neck and threatens to send him “home in an ambulance” for calling Tur genetically male
July 17, 2015
“You cut that out now or you’ll go home in an ambulance,” threatened helicopter pilot Bob “Zoey” Tur to fellow Dr. Drew panelist Ben Shapiro, after grabbing the Orthodox Jewish man and holding him by the back of his neck.
Shapiro had offended Tur by commenting that “transwomen” are chromosomally male. Tur responded that chromosomes were irrelevant to genetic sex, because of people with Kleinfelter’s syndrome. Dr. Drew interjected that Tur couldn’t win on the genetics argument and should “stick with the brain scans”. Shapiro then asked Tur, “What are your genetics, Sir?” Which is when Tur grabbed him and threatened to hospitalize him, live on air.
GenderTrender usually avoids linking to Conservative websites, but the HLN network that airs the Dr. Drew Show is apparently censoring the exchange. You can view it [link removed] on Breitbart.com at approximately the 5:20 mark. I’ll replace the link with an HLN or YouTube version if/when when available.
Shapiro reports on Twitter that Tur continued the threats off camera, stating he would “see [Shapiro] in the parking lot”. The panelist had to be escorted off the lot by security for his own protection. Tur has not yet been charged.
[UPDATE: Video is here, incident at around the 1:30 mark]
April 14, 2015
This afternoon Equality Michigan announced that Executive Director Emily Dievendorf has resigned. The surprise announcement comes on the heels of the withdrawal of support by The National Center for Lesbian Rights and The National LGBTQ Task Force for the controversial anti-Michigan Womyn’s Music Festival boycott authored by Dievendorf last year.
Dievendorf, a “Bisexual Rights” activist partnered with a male, organized the contentious boycott against members of the lesbian community who support the iconic annual 40-year-strong women-only music festival. The boycott targeted Lesbian artists, Lesbian musicians, and Lesbian vendors, as well as attendees of the event, calling for a financial attack on the women’s livelihoods. The justification for this boycott was Equality Michigan’s claim that lesbianism is a form of discrimination against male people, and that affinity groups based on the female experience are unfairly discriminatory against males. Last August, Dievendorf persuaded many national organizations that had formerly purported to advocate for lesbians to join the Equality Michigan campaign against Lesbian and Women’s Rights.
Since that time, Equality Michigan and all the signatories of the boycott have experienced a hemorrhaging of support, both financial and volunteer, from lesbians and the allies of lesbians and women. In effect, the boycott of lesbians and women resulted in the opposite effect: a withdrawal of support from the so-called “LGBT” organizations by the lesbians being boycotted. Somehow, this came as a big surprise to these organizations, who had long ago abandoned lesbian and women’s interests yet apparently believed that the ongoing, foundational, steady support of the very women fueling their “LGBT” orgs would continue even if they were targeted, insulted, and their livelihoods harmed. Finally, last week, NCLR and The Task Force, two of the largest signatories of the boycotts, publicly withdrew their names.
Two months ago, Dievendorf posted a muddled, confused statement on Facebook expressing her puzzlement over the withdrawal of lesbian support from her now formally anti-lesbian organization. It read:
“We cannot allow censorship and silencing of individuals
Universities have a particular responsibility to resist this kind of bullying
The Observer, Friday 13 February 2015 19.04 EST
The fate of Kate Smurthwaite’s comedy show, cancelled by Goldsmith’s College in London last month (“What could be more absurd than censorship on campus”, Nick Cohen, Comment) is part of a worrying pattern of intimidation and silencing of individuals whose views are deemed “transphobic” or “whorephobic”. Most of the people so labelled are feminists or pro-feminist men, some have experience in the sex industry, some are transgender.
Last month, there were calls for the Cambridge Union to withdraw a speaking invitation to Germaine Greer; then the Green party came under pressure to repudiate the philosophy lecturer Rupert Read after he questioned the arguments put forward by some trans-activists. The feminist activist and writer Julie Bindel has been “no-platformed” by the National Union of Students for several years.
“No platforming” used to be a tactic used against self-proclaimed fascists and Holocaust-deniers. But today it is being used to prevent the expression of feminist arguments critical of the sex industry and of some demands made by trans activists. The feminists who hold these views have never advocated or engaged in violence against any group of people. Yet it is argued that the mere presence of anyone said to hold those views is a threat to a protected minority group’s safety.
GenderTrender received notification yesterday from WordPress.com that Cathy Brennan has filed a legal copyright claim of ownership for the now-archived website RadFem Hub.
Specifically, Ms. Brennan demanded that GenderTrender cease and desist in displaying the above screenshot of the RadFem Hub website header on the grounds that Brennan is the sole and legal owner of said intellectual property.
Cathy Brennan played no part in the creation of the RadFem Hub project, nor participated in the creation of its header or graphics design. She was reportedly brought on board just prior to the demise of the site, under verbal agreement that she would maintain the $50. a year URL costs in perpetuity, an agreement that was apparently reneged on in the space of one year. It is believed that Brennan produced no original content related to the site.
Brennan filed six other simultaneous copyright claims against this website for seemingly random materials published on GenderTrender.
All of her claims have (thankfully) been rejected as without merit by WordPress.com. One might speculate that such claims represent harassment, censorship, and abuse by a wealthy financial services legal partner against a low income working class lesbian feminist blogger, possibly due to ongoing political disagreements.
Germaine Greer to women at Cambridge Union: “kick ass and take names and talk loud and make a crowd”
January 28, 2015
Iconic feminist Germaine Greer kicked off her UK tour in support of “Disappearing Women” at the Cambridge Union Society this Monday evening past, in what was reported to be a rousing, triumphant success. Attempts by anti-feminist transgender activists to have her speech censored failed, potential threats by males who believe they are female were ameliorated by frisking attendees at the doors, and she spoke to a packed house.
From the Cambridge Varsity:
“Despite the queue created by the heightened security measures, the atmosphere of the crowd was eager but not angry – there were few signs of protest except for a few LGBT+ representatives handing out leaflets at the door. They declined to comment on their decision to boycott the event, and there was little of the sense of outrage that had characterised the statements of the LGBT+ community.
Greer was uncompromising in her rhetoric, condemning from the beginning of her speech the “pressure on women to be clean, sweet, perfumed and submissive” and later suggested that trans women do not know what it is to “have a big, hairy, smelly vagina”. Greer was robust in her championing of the woman as an autonomous person and was anxious not to be diverted into what she described as “side issues”.
Witty and acerbic, Greer had the audience laughing throughout; describing the Sun website as a “fantasmagoria of nipples” whilst simultaneously speaking passionately and intensely about her notion of “the disappearing woman”.
She cited examples of cases in which women are judged but go unheard, condemning the fact that “nobody bothers to investigate” the perspective of women such as Amanda Hutton, who was widely reviled in the media. Her championing of sexual liberation and power for women was clear as she invited her audience to “kick ass and take names and talk loud and make a crowd”.
In the wake of the LGBT+ Cambridge campaign and its recent domination of student media, audience members were relentless in their questioning of Greer on her exclusion of transgender women from her feminist ideas. Greer remained steadfast in her stipulation that her feminism was about women and appeared visibly angered by the fact that discussion lingered upon what she clearly felt to be a side issue: “I’ve got 51 per cent of the world to think about and I’ve got to talk about transphobia”.
When a student quoted her own words back to her she did not compromise her previous position and repeated the word “delusion” to describe the wish of men to become women, causing a stir amongst the audience with her antipathy towards any presentation of men in drag: “I hate Mrs Brown”.
However, such discussion was secondary to Greer’s address of the body image problems of the 21st century. She explicitly stated that it remained the obligation of feminists to rage against the pressure on women to “have a baby and then go back to looking like a 12 year old boy ten days later”.
Strident and controversial as ever – describing Harriet Harman as “not smart enough” and referring to The Guardian Newspaper as “the fucking Guardian” – Greer seemed piqued but unfazed by the opposition of students to her speech because of her transgender views.
Her message to students was clear and impassioned. “We need to recognise women as human beings,” she said, and demanded of her female audience that they “toughen up; be more difficult. Be braver.”
A small “boycott” event was held in response in a classroom elsewhere by anti-feminist transgenderists. Organized by Em Travis, a feminine young woman who identifies as “internally non-binary transgender” the protest event featured two male transsexuals who campaign against feminism and lesbian rights. The first, Andrew “Roz” Kaveney, is best known as the founder of “Feminists Against Censorship”, a deceptively named organization whose purpose is to protect and promote the “rights” of transwomen and other males to consume what is defined in the UK as “extreme violent pornography”: that which depicts what appear to be “life-threatening or seriously injurious” acts. In Kaveney’s topsy-turvy world, “being female” is a lifestyle choice for men, and “Feminism” is the active promotion of the most violent sexualized acts against women imaginable.
The other middle-aged male selected by transtrender Em Travis to chair her event was Christopher “Aunty Sarah” Brown, an anti-gay activist who was formally protested by women at London’s Dyke March this year.
According to the Varsity, Greer’s brash and humorous tone was not duplicated at the protest event, where: “The [transgender] talk took place in a mindful and open atmosphere created by the strict and very comprehensive guidelines – including the use of verbal trigger warnings when addressing potentially offensive or harmful content – to which all audience members closely adhered.”
Males (both transgender and not) continue to pearl-clutch in the wake of Germaine Greer’s presentation: over her frank speech, but mainly over her lack of capitulation to transgenderism, a view they seemed to desperately want to hear, over and over again. Expect this formula to rinse and repeat as the legendary Woman’s Liberationist continues her appearances on her “Disappearing Women” tour across the UK. Do catch her at an upcoming scheduled event near you!