tangerine premier london

Filmgoers attending this weekend’s London premiere of ‘Tangerine’, Sean S. Baker‘s independent film shot on modified iPhone, were greeted by stickers and flyers distributed by a group of women calling themselves “Lesbian Nation”. The group protested the film’s depiction of extreme misogyny and the normalization of male violence and brutality against women. ‘Tangerine’ features an extended sequence of a man repeatedly slapping, battering, dragging and lifting a kidnapped woman, violence which goes on for several scenes and is played for laughs: because the male perpetrator is a “transwoman”.

Women are referred to as “fish” by the male protagonists throughout the film, also played for laughs in what the filmmakers describe as a “transgender revenge comedy”.

An excerpt from the (not terribly feminist) RogerEbert.com review: “[C]ertain aspects of the story are—as Internet thinkpieces are found of saying—problematic, particularly the violence that [male actor] Sin-Dee inflicts on Dinah, grabbing and dragging and lifting and even slapping her repeatedly, over the course of several scenes. “Tangerine” treats this action as outrageously funny; it seems to expect us to write it off as, “Well, this is just what would happen in that world,” a valid enough observation, but one that only takes us so far. True, the violence is balanced by subsequent scenes of Sin-Dee and Dinah and eventually Alexandra reaching a kind of understanding, and even displaying tenderness toward each other. But the later scenes don’t cancel out the sour taste left by the earlier ones. This is a case where the problem isn’t what’s being shown, but the film’s evident attitude toward what it’s showing us, at the moment that it’s showing it.”

The ‘Tangerine’ film is the latest example of a growing popular trend wherein liberal males get a pass on overtly expressing their violent hatred of women under cover of supporting the transgender movement, which is itself based entirely on sexism and misogyny and the celebration of female subjugation.

“You didn’t have to Chris Brown the bitch!” –Male violence against women presented as comedy entertainment.

“You didn’t have to Chris Brown the bitch!” –Male violence against women presented as comedy entertainment.

“The Misogynist Comedy of the Year!” “A Treat Not to Be Missed if You Like Violence Against Women!” mocks the Lesbian Nation protest flyers and posters, which were designed to mimic the film’s promotional materials. You can view their message in its entirety below (click to enlarge):






Kick Ass!


The Danish Girl

September 1, 2015


AS you watched the Oscars last night, did you think to yourself: “Golly, the best Actor and best Actress categories are transphobic towards those with “nonbinary” gender identitays”?

If the answer is no, then you may be surprised to learn that those in the Transgender Movement are complaining the broadcast was one long “triggering” ode to “transphobia”.

First, the Best Supporting Actor winner Jared Leto, who has been attacked for weeks- and even heckled– by transgender activists for his portrayal of a gay male queen in “Dallas Buyers Club”. Leto has been criticized for not playing the character as a “transwoman” (an identifier that did not even exist in the 1980’s era in which the film is set), for not being a “transwoman” himself (strangely it’s okay that he is heterosexual though), and for making jokes about the pain of bikini waxes (because when a “transwoman” gets one it’s a horrible price to pay that no mere woman or man could ever understand).

Not holding back on the anti-gay sentiment, the transgender activists and their supporters are now attacking Oscars emcee Ellen Degeneres for the “transphobia” of a gay woman cracking a gay community drag queen joke. One that heterosexual male “transwomen” found offensive to (you guessed it!): heterosexual males.

If you’ve ever wondered why members of “the LGBT” constantly question the wisdom and practicality of a political alliance with the “T”, the accusations against Ellen ought to help highlight the problem.

The transphobic hate-crime in question was the following joke made while addressing audience member Liza Minelli:

“Hello to the best Liza Minnelli impersonator I’ve ever seen. Good job, sir.”

You can watch Ellen tell the joke in the brief video clip which is helpfully linked here: http://www.huffingtonpost.com/2014/03/03/ellen-degeneres-transphobic_n_4890369.html

Washington Post Style columnist (and clearly not a member of the lesbian and gay community) Caitlin Dewey ran with a headline claiming an “Internet Consensus” ruled Ellen as “transphobic”. Which is incredible. I mean forget the transphobia: this may be the first time in history there has ever been such a thing as an internet consensus! Who knew? The internet is of one mind: one fabulously anti-gay mind. You heard it from Caitlin first.


Should we let Caitlin and the other gender-loving heterosexuals in on the joke?

The humor rests on the ubiquity of male Liza Minelli impersonators in the Gay Community, Caitlin, where Liza is considered a Gay Drag Icon. Sheesh.

I can’t believe I really need to spell that out. Then again I suppose one shouldn’t be surprised.

It’s gotten to the point where Gays and Lesbians cannot even talk or joke about our own community without heterosexual Transgenders and their supporters like Caitlin (and the “consensus” of the entire internet, apparently), accusing us of being ANTI-HETEROSEXUAL-BIGOTS.

Want to mention the fact that lesbians don’t like penis? You are now an ANTI-HETEROSEXUAL-BIGOT.

Want to joke about how Liza Minelli looks more realistic than her best gay male drag impersonator? You are now an ANTI-HETEROSEXUAL-BIGOT.

Want to make a movie about gay culture in the era of AIDS? You are now an ANTI-HETEROSEXUAL-BIGOT.

The WHOLE INTERNET says so folks! It’s a consensus!


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Jack and Jill Trailer

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