AS you watched the Oscars last night, did you think to yourself: “Golly, the best Actor and best Actress categories are transphobic towards those with “nonbinary” gender identitays”?
If the answer is no, then you may be surprised to learn that those in the Transgender Movement are complaining the broadcast was one long “triggering” ode to “transphobia”.
First, the Best Supporting Actor winner Jared Leto, who has been attacked for weeks- and even heckled- by transgender activists for his portrayal of a gay male queen in “Dallas Buyers Club”. Leto has been criticized for not playing the character as a “transwoman” (an identifier that did not even exist in the 1980’s era in which the film is set), for not being a “transwoman” himself (strangely it’s okay that he is heterosexual though), and for making jokes about the pain of bikini waxes (because when a “transwoman” gets one it’s a horrible price to pay that no mere woman or man could ever understand).
Not holding back on the anti-gay sentiment, the transgender activists and their supporters are now attacking Oscars emcee Ellen Degeneres for the “transphobia” of a gay woman cracking a gay community drag queen joke. One that heterosexual male “transwomen” found offensive to (you guessed it!): heterosexual males.
If you’ve ever wondered why members of “the LGBT” constantly question the wisdom and practicality of a political alliance with the “T”, the accusations against Ellen ought to help highlight the problem.
The transphobic hate-crime in question was the following joke made while addressing audience member Liza Minelli:
“Hello to the best Liza Minnelli impersonator I’ve ever seen. Good job, sir.”
You can watch Ellen tell the joke in the brief video clip which is helpfully linked here: http://www.huffingtonpost.com/2014/03/03/ellen-degeneres-transphobic_n_4890369.html
Washington Post Style columnist (and clearly not a member of the lesbian and gay community) Caitlin Dewey ran with a headline claiming an “Internet Consensus” ruled Ellen as “transphobic”. Which is incredible. I mean forget the transphobia: this may be the first time in history there has ever been such a thing as an internet consensus! Who knew? The internet is of one mind: one fabulously anti-gay mind. You heard it from Caitlin first.
Should we let Caitlin and the other gender-loving heterosexuals in on the joke?
The humor rests on the ubiquity of male Liza Minelli impersonators in the Gay Community, Caitlin, where Liza is considered a Gay Drag Icon. Sheesh.
I can’t believe I really need to spell that out. Then again I suppose one shouldn’t be surprised.
It’s gotten to the point where Gays and Lesbians cannot even talk or joke about our own community without heterosexual Transgenders and their supporters like Caitlin (and the “consensus” of the entire internet, apparently), accusing us of being ANTI-HETEROSEXUAL-BIGOTS.
Want to mention the fact that lesbians don’t like penis? You are now an ANTI-HETEROSEXUAL-BIGOT.
Want to joke about how Liza Minelli looks more realistic than her best gay male drag impersonator? You are now an ANTI-HETEROSEXUAL-BIGOT.
Want to make a movie about gay culture in the era of AIDS? You are now an ANTI-HETEROSEXUAL-BIGOT.
The WHOLE INTERNET says so folks! It’s a consensus!
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“An entertaining and revelatory “secret history” of Feminist Art, !Women Art Revolution deftly illuminates this under-explored movement through conversations, observations, archival footage and works of visionary artists, historians, curators and critics. Starting from its roots in 1960s antiwar and civil rights protests, the film details major developments in women’s art through the 1970s and explores how the tenacity and courage of these pioneering artists resulted in what is now widely regarded as the most significant art movement of the late 20th century.
For more than forty years, filmmaker Lynn Hershman Leeson (Teknolust, Strange Culture) has collected a plethora of interviews with her contemporaries—and shaped them into an intimate portrayal of their fight to break down barriers facing women both in the art world and society at large. With a rousing score by Sleater-Kinney’s Carrie Brownstein, !W.A.R. features Miranda July, The Guerilla Girls, Yvonne Rainer, Judy Chicago, Marina Abramovic, Yoko Ono, Cindy Sherman, Barbara Kruger, B. Ruby Rich, Ingrid Sischy, Carolee Schneemann, Miriam Schapiro, Marcia Tucker and countless other groundbreaking figures.
!W.A.R. opens in theaters in early June 2011″
June 1-7 IFC Center New York, NY
June 10 The Screen at Studio 2 Santa Fe, NM
June 15-19 Museum of Fine Arts Boston, MA
June 17-23 Laemmle’s Music Hall 3 Los Angeles, CA
June 17-23 Northwest Film Forum Seattle, WA
June 23-26 Oklahoma City Museum of Art Oklahoma City, OK
June 24-30 Denver Film Society Denver, CO
June 24-27 Northwest Film Center Portland, OR
July 1 Real Art Ways Hartford, CT
October 5 International House of Philadelphia Philadelphia, PA